 |
 |
 |
|
|
|
|
|
|
|
 Testimonials |
| From Students: |
Branly Cadet |
The three
weeks I spent in Martine Vaugel's workshops were the most amazing weeks
of my life as an artist. Martine is truly a master, and the impact
her teaching had on my sculpting skills was staggering. I can't recommend
the program highly enough. In fact, her courses should be a primer
for life. Anyone with the means and the desire to learn about truth
in art should sign up immediately for Martine's program. C.W., Director Continuing Education, College of Architecture, Georgia Institute of Technology |
Martine is a remarkable teacher. She is vigilant, generous and has
an unerring eye. She commnicates clearly, succinctly and freely with
her students. She has had an enormous influence on my art and my life. L.S.M., painter, NC |
My
wife and I felt the time we spent studying with Martine a rare gift.
She is acknowledged by other professional
artists we know as being "the
best." When we saw Martine's work for the first
time it was apparent she had talent that was not only rare in the world
today, but in times past as well. Sculpting class was not only fun,
but gave us the feeling we were part of something powerful. Those classes
have had a lasting effect on my work today and my creative sensibilities
overall. K.W.R, NC |
I
feel Martine will be known to future generations of artists as a
pioneer of the new age, one who blends a powerful aesthetic with an absolute
knowledge of the figure. It is because of this unique knowledge of
form, her wealth of techniques and method, her disciplined sensitive
talents relating to her students, as well as her knowledge of anatomy and structure
that I have been studying with her. V.W., Painter & instructor of anatomy and drawing, Art Center School of Design Pasedena, Calif. |
As
a veteran of over ten years of art training and countless teachers,
I have found Martine to be one of the best I have ever had. Through her
clear concise method I was not only able to master the logistics of
sculpture, but also understand the concepts of space and form and
gesture which have made other ideas I have been dealing with clearer and more practically
possible. N.G., Grad, NYAA |
Martine
has helped my drawing immensly by stressing in a new way the emphasis of the skeleton......her geometric approach is the clearest most concise way
I've found to approach drawing. S.V., Grad. NYAA |
This
class has given me the structure to continue my quest to become a
sculptor. Martine Vaugel is a gifted teacher. I wish I had begun my
studies with her, however, having had several other teachers who taught
me technique, I now know the difference between technique and structure,
which step by step is the key to creating a work of art that has integrity
and strength. J.H. |
While
studying in France is a dream come true, studying with Martine far exceeds those dreams. R.C. |
Martine's
technique is invaluable to painters and other 2D artists. I know
what I learned will transfer into my painting with great benefit,
this was phenomenal information. E.T. |
| I think the accomodations and the class were astounding. J.S. |
I came
unable to draw or sculpt and doubtful of my ability to learn either.
One month later I have learned to do both.... I have gained a solid
education, a new love of the visual and a posession of a seeing eye
I never thought I'd have...an incredible experience. S.C., NY, NY |
In
a world of useless artspeak and gap-filled technique training in
the fine arts, Martine is a breath of fresh air. Equally masterful
at her craft and teaching, Martine remains committed to generously disseminating
methodological information to the student of sculpture. She is a very, very rare find! K.M., painter, instructor |
The
human sculpture demonstration was wonderful because it relates to
our program, and others in so many ways- art, human factors,
scale, and material. Martine Vaugel brought an international atmosphere of art to our College that day
and a different way of looking at the world. L.J., Director of the Industrial Design Program, Georgia Institute of Technology |
I attended
your demonstration yesterday at Georgia Tech in Atlanta. .....now I
am on fire to learn!!!
Hopefully I will be registering for your workshop July 1-5 . Just wanted
to say thank you for a lifechanging experience. Look forward to seeing you again in July!! B.C. |
Mainly
I want to tell you what a wonderful experience the trip was for me.
I learned a lot about sculpture and other stuff too.
Made some great friends. LOVE Asheville. Got a glimpse of the amazing,
lovable and interesting person that you are. Had an incredible adventure.Every
time I do something important for myself I feel like I'm growing into
my skin. Take care, keep teaching, be at peace. love- J.M. |
I loved the standing figure class and felt like I learned
more in that week than I have from any class. Now the challenge is for
me to process and actualize what I have learned. You have a tremendous
talent that must enrich your life immeasurably. Please keep me informed
of your workshops. An admiring student, L.R., Tampa Florida |
The workshop seems like a dream, a wonderful
dream. I loved the way you give the information, then do a demo and
then are there to steer us through the journey if we loose sight of the
path.(As every new person does, until they learn to periodically step
back to evaluate, and start SEEING). So though the course was intense,
the information about the technique is there, and that is the most important
constant - or as you put it - the 'Stable Data' that one needs to draw
on for future works in scuplture. M.V., Asheville, NC. |
Martine
is one of the clearest and most sincere teachers I have ever studied
with...Michael Grimaldi and I started a school. I teach a Saturday
portrait class which heavily relies on what I learned from you, including
the front lower six teeth being a front plane. B.S., Painter, Painting Instructor...NY, NY |
The
week I spent with Martine has taken my sculpture to a whole new realm
of realism. She is an extraordinary teacher, simplifying
difficult concepts and techniques. L.W. |
For the first time in my life I was able to
really learn about structure,technique and craft in Martine's scuplture
class. I grew on so many levels, discovering aspects about myself both
personally and artistically pushing
me to discover
what I am capable of as an artist and craftsman. V.W. |
If sculpture were a proper science, Martine would be a
Nobel Laureate for her technique is immortalized in all who learn from
her. Dr. S. L. P., former student |
I took a two-week sabbatical to L.A.
and took part in a workshop given by Martine. It was an eye-opener for
me. She has a structured approach to teaching portrait and figurative
sculpture which is unique. It introduced me to a very fundamental concept
of how to interpret the body's landmarks. The portrait I produced in
her workshop is one of my very best. R.B., SC sculptor |
| From Buyers and Commissions |
Barry
and I absolutely adore your "Gavin and Alex" sculpture
and just want you to know what a treasure it is. Did I tell you that
a group of art collectors from Los Angeles were at our home and adored
your sculpture. When I told them that you are the artist, they were
thrilled. Several couples are quite familiar with your great talent and I believe a couple
of them even have your work in their personal collections. It was quite
thrilling. L. & B. Eisenberg, Winston Salem, Georgia |
I
saw more of your photos on CD... Gandhi is holding the world so lovingly...
I can feel the air soak into the nostrils in Inspiration...
and First Survivor conveys such a unique presence, he is more real
to me than most people I know! As if, I can extrapolate how he would
think, move, talk, etc, from the way he holds his chin and eyebrows and arms.
I hope you know your place in history, and your place in the hearts
of your fans. B.H. |
I
feel like I have touched something divine just by looking over your work. R.C. |
I
absolutely love "Richard!" You are so incredibly talented!! Thanks, again, for sharing your beautiful
work with us. J.D., for The Replacement Hospital at UCLA where Martine's work was placed in the I.M. Pei designed Hospital in Los Angeles, |
|
|
